|
#1
|
|||
|
|||
Re: Your favorite poem and why
I am a simple person with simple pleasures [img]/images/graemlins/laugh.gif[/img].
Shel Silverstein - Smart My dad gave me a dollar `Cause I'm his smartest son And I swapped it for two shiny quarters `Cause two is more than one! And then I took the quarters And traded them to Lou For three dimes --- I guess he don't know That three is more than two! Just then, along came old blind Bates And just ‘cause he can't see He gave me four nickels for my three dimes, And four is more than three! And I took the nickels to Hiram Coombs Down at the feed-seed store, And the fool gave me five pennies for them, And five is more than four! And then I went and showed my dad, And he got red in the cheeks And closed his eyes and shook his head --- Too proud of me to speak! But in truth, I really loved The Highwayman, By Alfred Noyes. |
#2
|
|||
|
|||
Re: Your favorite poem and why
That's a pretty good one, whiskeytown. A simple but unusual concept well done.
|
#3
|
|||
|
|||
Re: Your favorite poem and why
I can't really say why this is my favorite. I really like Clampitt's style though and she is probably my favorite poet.
A Whippoorwill in the Woods by Amy Clampitt Night after night, it was very nearly enough, they said, to drive you crazy: a whippoorwill in the woods repeating itself like the stuck groove of an LP with a defect, and no way possible of turning the thing off. And night after night, they said, in the insomniac small hours the whipsawing voice of obsession would have come in closer, the way a sick thing does when it’s done for—or maybe the reason was nothing more melodramatic than a night-flying congregation of moths, lured in in their turn by house-glow, the strange heat of it—imagine the nebular dangerousness, if one were a moth, the dark pockmarked with beaks, the great dim shapes, the bright extinction— if moths are, indeed, after all, what a whippoorwill favors. Who knows? Anyhow, from one point of view insects are to be seen as an ailment, moths above all: the filmed-over, innumerable nodes of spun-out tissue untidying the trees, the larval spew of such hairy hordes, one wonders what use they can be other than as a guarantee no bird goes hungry. We’re like that. The webbiness, the gregariousness of the many are what we can’t abide. We single out for notice above all what’s disjunct, the way birds are, with their unhooked-up, cheekily anarchic dartings and flashings, their uncalled-for color— the indelible look of the rose-breasted grosbeak an aunt of mine, a noticer of such things before the noticing had or needed a name, drew my five-year-old attention up to, in the green deeps of a maple. She never married, believed her cat had learned to leave birds alone, and for years, node after node, by lingering degrees she made way within for what wasn’t so much a thing as it was a system, a webwork of error that throve until it killed her. What is health? We must all die sometime. Whatever it is, out there in the woods, that begins to seem like a species of madness, we survive as we can: the hooked-up, the humdrum, the brief, tragic wonder of being at all. The whippoorwill out in the woods, for me, brought back as by a relay, from a place at such a distance no recollection now in place could reach so far, the memory of a memory she told me of once: of how her father, my grandfather, by whatever now unfathomable happenstance, carried her (she might have been five) into the breathing night. “Listen!” she said he’d said. “Did you hear it? That was a whippoorwill.” And she (and I) never forgot. |
#4
|
|||
|
|||
Re: Your favorite poem and why
Very nice.
|
#5
|
|||
|
|||
Re: Your favorite poem and why
Here's a Poem by the translator of Hikmet's poem--in case you're interested.
Visionary Company Last night when our son said, "The two of you are beautiful," I knew he wasn't falling for how the shadows at our candle-lit dinner for three erased the lines the years have raked across our faces, but perhaps buttering us up & learning to trade words for love. Putting myself in his place, I sat back at the right hand of my father, who manfully watched me play his opposite versus his understudy, as when, my hair silvered for King Lear's Kent like his, it happened I kissed him good-bye on the mouth for good, & across the blond table from my mother, whose blue shadow-box hung over my head & in whose teal-flecked eyes I could do no wrong, wrong as I was in so much that I did or failed to do, like telling her the fall she died I'd be a father in the spring. I saw my parents vanish in the time it took our candle to burn down to nothing —both, to my mind, beautiful in that light. --Randy Blasing |
#6
|
|||
|
|||
Re: Your favorite poem and why
siegfried sassoon- suicide in the trenches.
I knew a simple soldier boy Who grinned at life in empty joy, Slept soundly through the lonesome dark, And whistled early with the lark. In winter trenches, cowed and glum, With crumps and lice and lack of rum, He put a bullet through his brain. No one spoke of him again. You smug-faced crowds with kindling eye Who cheer when soldier lads march by, Sneak home and pray you'll never know The hell where youth and laughter go. i just love all poetry from the 1st WW |
#7
|
|||
|
|||
Re: Your favorite poem and why
I'm fascinated by that time too, and Sassoon can really be great.
Here's one from Philip Larkin that I often paste in whenever favorite poetry threads pop up: High Windows When I see a couple of kids And guess he's f*cking her and she's Taking pills or wearing a diaphragm, I know this is paradise Everyone old has dreamed of all their lives-- Bonds and gestures pushed to one side Like an outdated combine harvester, And everyone young going down the long slide To happiness, endlessly. I wonder if Anyone looked at me, forty years back, And thought, That'll be the life; No God any more, or sweating in the dark About hell and that, or having to hide What you think of the priest. He And his lot will all go down the long slide Like free bloody birds. And immediately Rather than words comes the thought of high windows: The sun-comprehending glass, And beyond it, the deep blue air, that shows Nothing, and is nowhere, and is endless. ------------ "The sun-comprehending glass" might be my favorite thing I've ever read. |
#8
|
|||
|
|||
Re: Your favorite poem and why
Nice one Blarg!
|
#9
|
|||
|
|||
Re: Your favorite poem and why
And the days are not full enough
And the nights are not full enough And life slips by like a field mouse Not shaking the grass. -EP I know I already posted, but I'm posting this as well to contrast with Eliot. The third line is this poem is so simple but is the greatest imagery I've ever read. Comparatively Prufrock has long, complex images to complement the poem's tone. Both are effective but I think Pound's simplicity is his greatest asset. He can say in 4 lines what it takes some poets an anthology of work to convey. |
#10
|
|||
|
|||
Re: Your favorite poem and why
"O Mistress Mine" by William Shakespeare - Why? Because I am in love with a 20 year old.
O MISTRESS mine, where are you roaming? O stay and hear! your true-love’s coming That can sing both high and low; Trip no further, pretty sweeting, Journeys end in lovers’ meeting— 5 Every wise man’s son doth know. What is love? ’tis not hereafter; Present mirth hath present laughter; What’s to come is still unsure: In delay there lies no plenty,— 10 Then come kiss me, Sweet-and-twenty, Youth’s a stuff will not endure. |
|
|