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View Poll Results: How much tip?
Nothing. He should be glad to carry that heavy box for you, its his job! 142 79.78%
offer him a beer 21 11.80%
a buck or two 3 1.69%
no less than a five 6 3.37%
$10 or more 6 3.37%
Voters: 178. You may not vote on this poll

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  #1  
Old 08-07-2007, 10:50 PM
fraz8000 fraz8000 is offline
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Default Donk\'n\'Go Question

13% ROI 12-tabling Party $22 Sngs= x% ROI 15-tabling Stars speed $55s.
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  #2  
Old 08-07-2007, 10:54 PM
Spechel EDD Spechel EDD is offline
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Default Re: Donk\'n\'Go Question



shoutout to lurker 4 dis
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  #3  
Old 08-07-2007, 10:55 PM
prodonkey prodonkey is offline
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Default Re: Donk\'n\'Go Question

at least is was properly punctuated.. always nice to see hahahahah
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  #4  
Old 08-07-2007, 10:55 PM
Heavens_Myst Heavens_Myst is offline
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Default Re: Donk\'n\'Go Question

34.32/hr @ the 22's if u consider those take 1hr to complete and you only play a set at a time (IE u dont open a new one when u bust out of one)

if you consider you play 12 $22s in an hour, and that the speeds only take 45min, you will play 20 $55s in an hour so... your ROI will be

$34.32/20=1.716

then.. 1.716/55 = .0312 or 3.12% ROI

WHAT DO I WIN?!
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  #5  
Old 08-07-2007, 11:05 PM
swope swope is offline
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Default Re: Donk\'n\'Go Question

Rick Astley's debut single, "Never Gonna Give You Up" contrasted the singer's expressive, soulful baritone with synthesized dance-club backing, and while the highly processed quality of the latter sometimes seemed to overwhelm the former (no easy task), the song became a wildly popular smash, winding up as the biggest hit single of 1987 in the U.K. and topping the U.S. charts in early 1988. The song was driven by a busy rhythm track and a synthesized string section strongly reminiscent of late-'70s disco productions, while Astley's distinctive voice boomed over the top. Perhaps the most memorable flourish on "Never Gonna Give You Up" is the way Astley handles the chorus, which alternates rapid-fire 16th notes with longer, off-the-beat triplets; his delivery is impeccably smooth, navigating the rhythmically shifting melody with ease. It's not difficult to see, in retrospect, why Astley eventually grew tired of the Stock, Aitken & Waterman production team's work; while the slick sheen doesn't exactly rob Astley of his personality, the layers of echo don't really do much to accentuate or humanize it, either. Still, the song does demonstrate that Astley has a flair for up-tempo dance tracks, and it's such a well-crafted piece of music that the partnership between singer and producers seems fruitful enough to overlook any shortcomings.
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  #6  
Old 08-07-2007, 11:27 PM
sluggger5x sluggger5x is offline
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Default Re: Donk\'n\'Go Question

[ QUOTE ]


shoutout to lurker 4 dis

[/ QUOTE ] This is hilarious.
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  #7  
Old 08-07-2007, 11:37 PM
professormike professormike is offline
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Default Re: Donk\'n\'Go Question

[ QUOTE ]
[ QUOTE ]


shoutout to lurker 4 dis

[/ QUOTE ] This is hilarious.

[/ QUOTE ]
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  #8  
Old 08-07-2007, 11:43 PM
tereg tereg is offline
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Default Re: Donk\'n\'Go Question

[ QUOTE ]
Rick Astley's debut single, "Never Gonna Give You Up" contrasted the singer's expressive, soulful baritone with synthesized dance-club backing, and while the highly processed quality of the latter sometimes seemed to overwhelm the former (no easy task), the song became a wildly popular smash, winding up as the biggest hit single of 1987 in the U.K. and topping the U.S. charts in early 1988. The song was driven by a busy rhythm track and a synthesized string section strongly reminiscent of late-'70s disco productions, while Astley's distinctive voice boomed over the top. Perhaps the most memorable flourish on "Never Gonna Give You Up" is the way Astley handles the chorus, which alternates rapid-fire 16th notes with longer, off-the-beat triplets; his delivery is impeccably smooth, navigating the rhythmically shifting melody with ease. It's not difficult to see, in retrospect, why Astley eventually grew tired of the Stock, Aitken & Waterman production team's work; while the slick sheen doesn't exactly rob Astley of his personality, the layers of echo don't really do much to accentuate or humanize it, either. Still, the song does demonstrate that Astley has a flair for up-tempo dance tracks, and it's such a well-crafted piece of music that the partnership between singer and producers seems fruitful enough to overlook any shortcomings.

[/ QUOTE ]

Informative.
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