Re: film: 3:10 to Yuma
I think the logicians that can't wrap their minds around the transformation of Crowe's character are misinterpreting a lot of the details and missing the point in general. The character's evolution, or maybe even self-actualization, was exhibited. I don't think questions of whether or not a normal person would want Charlie as a second in command are very relevant. Sure, it isn't practical for him to do it, but he knows all the bad things Charlie, and the gang, and himself have done -- this is why he refers to them all as animals ("every last one of them")while they are holed up in the hotel room. We also know that Crowe's character has some deeper sense of right and wrong as per his open condemnation of Peter Fonda's character for killing innocent Cherokee women and Children. Of course this doesn't lead us to expect what happens at the end of the movie, but it does allow us to believe (combined with his desire to leave with the bar-maid for mexico, his urging Bale and son to leave and spare their lives, his apparent admiration for Bale's character -- exhibited from the beginning to the end of the movie -- AND charlie's blatant disobedience in the final act) that there may be some deep misgivings and conflict over his own behavior. To me, this creates sufficient plausibility for the character's transformation. All this, without getting too deep into the psycho-analytical arguments for why Crowe might want to rid himself of the demons of his past and what his crew might represent to him... Anyway... This movie is way too good to let a little disbelief ruin it. I love Bale in everything he does (check Rescue Dawn, Hard Times, the Machinist, Batman Begins, The Prestige, etc.), but all the acting was exceptional -- the son, charlie, and Crowe all nailed their roles... Go see it and decide for yourselves.
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